Cavesson: it’s all about connection
The Cavesson: it’s all about connection
Too much of a good thing, taken to its excess, usually becomes less than ideal. Such is the case with lightness. Its pursuit, or its misinterpretation, often results in horses moving without sufficient tone throughout their bodies because riders or handlers have over emphasized the goal of loose reins. The condition of loose reins is not necessarily synonymous with a horse moving in lightness.
Lightness is best defined as the equilibrium of looseness and positive tension in the horse’s body that allows him to move with flawless balance and coordination. It is always accompanied by a soft, light feeling of connection—not emptiness—to the rider’s reins or, in the case of groundwork, his line. Longe cavessons offer one of the best tools to create this state. They allow a handler to create ideal posture and alignment without pressure on the horse’s mouth from a bit or by twisting his poll as a halter will. It permits the handler to help adjust the horse’s balance without ‘fixing’ him in a frame where he may become rigid or defensive.
Happily, I’ve witnessed an increase in the use of cavessons in recent years. The best ones have a small ring over the bridge of the horse’s nose where a longe line gets attached. The value of this attachment position is its effectiveness in drawing the horse’s topline forward and outward while simultaneously helping flex the poll laterally.
Unfortunately, though, I often observe students standing in the center of a circle with their horses trotting around them on the end of a droopy line that is dragging in the dirt at the mid-point between their hands and the horse’s nose. This negates the purpose of the cavesson, which when correctly used, teaches the horse to actively stretch over the top of his body and maintain positive tension in his topline muscles. When he travels in this state, he creates a “draw” on the handler’s line or rope. The horse adopts consistency in this state by the handler in turn offering the feeling of light, elastic support on the rope.
By maintaining light connection with the rope rather than wandering around aimlessly with it sagging towards the ground beside him, the horse learns confidence towards the riders’ hands. He also consistently experiences the state of his topline remaining actively engaged, which in time gets habituated. Until this happens, the energy and propulsion of his hindquarters will not be transmitted forward over his topline and connected to his front end. In other words, he will not be capable of moving well. The two ends of his body will lack the bridge that connects them.
Remember: the quality of tension in your longe line always mirrors the tonicity in the horse’s body. Excess tension in the body makes the line heavy and tight. Too little tension leaves the line slack. A horse reaching forward through his neck supported by the right amount of tone throughout the rest of his body will fill up your line. This filling up will feel like ounces of weight, not pounds, in your line.
- Begin by circling your horse around you on a 12-meter circle at a brisk walk or slow trot.
- By maintaining a.) a steady rhythm in the horse’s gait, b.) good geometry on your circle, and c.) holding your line at the same height, aim to keep the exact same pressure on your line every stride. (many horses will pull on the line on one side of their circle and then flatten the other halt of the circle, letting the rope drag in the dirt).
- When you are able to do this… now, after each revolution of your circle, jog several strides straight ahead from your standing position (jogging beside your horse while maintaining the same tension on the line)… and then make another 12-meter circle. Keep the same feeling of connection in the line.
- Continue shifting your circle several feet in this manner, showing the horse no matter where you travel, you are keeping the tone in the line.