Help, my Horse is Stumbling!

Help, my Horse is Stumbling!

The most obvious place to look when a horse begins to stumble regularly is his feet because they are after all what he is tripping over, right? While he might be stubbing them, his toes are infrequently the source of this problem. In fact, a tripping problem that shows up acutely often has nothing to do with his feet. Before you call your farrier, rule out faulty mechanics in the rest of the body.

cavalletti

Tripping and stumbling often develops from poor movement patterns that restrict the front limbs, progressing sometimes to the extent that a horse will fall all the way to his knees. Riding a horse that is scrambling like this can be unnerving, and it also causes a fair bit of worry for owners. They want to know what is going wrong. Why is their horse suddenly tripping and falling?

It is natural to look at the horse’s front end for blame. But I have more often found the problem in these horses to be in the HIND end. When a horse stiffens through his lower back during motion, it pushes his stifle joints out behind him, essentially blocking the hind legs from swinging forward each stride. In the absence of flexion in his pelvis and hind limb joints, the horse’s spine becomes like a rigid piston that shoves motion forward on to the forelimbs. Overburdened, these limbs lose their smoothness of movement. The result? A horse will catch his toe instead of rolling over smoothly to the next stride. Plus, the hind legs are no longer participating to catch his balance.

horse biomechanics

Until the lower back and hindquarter stiffness is resolved, the horse is likely to continue tripping. A deeper problem arises once he has tripped enough times to not be worried about it anymore. Once this occurs, he no longer hurries to get his balance. He submits to a persistent lack of coordination. The primary nerves that generate forelimb movement gradually deactivate, the horse’s whole movement pattern alters. Smoothness of movement begins to disappear.

When caught early, many tripping problems can be corrected. The most beneficial place to begin your inspection is the horse’s hind-end, unless there is a clear reason to suspect the feet as the primary problem such as the case of a new and dramatically different hoof trim. Assess the following: dorsal flexion and overall state of the back muscles (are they normal temperature and pliable? Or are they ropey, hot, tense?), stifle flexion and perceived comfort, hamstring tension. Studying your horse’s natural standing posture will factor in your inspection of these as will your hands-on touch. Once you locate what you suspect as the source of restriction, you can begin to treat it. Generally, I recommend a Masterson Method practitioner but other good body-workers can also help.

Once the body-work therapies are administered, I have found certain corrective exercises to be especially beneficial. These include: Long and Low Transitions (Ex. # 27); Figure-Eight bars (Ex. #18); Lateral Pelvic Flexion (Ex. #31); Giravolta (Ex. #46). In addition to a good amount of backing the horse up daily, these exercises will help restore equilibrium between forehand and hindquarters, which will help you on your way to overcoming a stumbling issue that seems to show up out of nowhere.

As you work through these corrective exercises and body therapies for a focused two-week period, avoid riding at speed or on hard surfaces. Both increase the likelihood for tripping.

Round Pens: training for good posture…or bad?

Believe me when I tell you that I love freedom as much as anyone. I love trimming away boundaries, living widely in each moment. And, yes, I love to watch a beautiful horse running free across a meadow with his legs surging and his expression content. That, to me, is a wonderful sight. On the other hand, a horse careening around a round pen with his neck twisted sideways and his body misaligned disgruntles me.

The reason it disgruntles me is that this practice forms—and strengthens—poor movement mechanics that can have pretty significant consequences. Primarily, when a horse travels around the round pen with his head turned slightly to the outside of the circle, he ends up catching his balance every stride by planting his inside foreleg harder. This tightens and strengthens his shoulder girdle on that side, embeds crookedness in addition to limited range of motion in the scapula.

When a horse has spent a fair amount of time in this incorrect balance, a few of the results can include: chronically cross-cantering, balky behavior under saddle, stiffness and lack of responsiveness to the rider’s leg cues when ridden. The problem is that the undesirably tight scapula muscles contributing to these problems have been made stronger by the round pen work.

I absolutely believe that round pen work has a valuable place in every horse’s training life. Much of the value comes from body alignment. The round pen is not a place to chase around a loose horse while ingraining poor habits. Unless you can 100-percent affirm that your horse’s ENTIRE spine (head to tail) follows the curve of the circle prescribed by your round pen, then you are far better off to have a line attached to his halter/cavesson/bridle.

Any exercise undertaken without a complete inwards arc of the horse’s spine to match his line of travel creates postural imbalances that become stronger each session. These imbalances are manmade and easily avoided.

Somewhere along the way, many of us have become besotted with liberty work, or exercising the horse without any reins, longe lines, etc. Liberty work IS a delightful concept, but it often comes with irony. The irony appears when students wish to change a particular movement pattern (i.e. fix a canter lead, solve a persistent crookedness) without realizing that their liberty work has contributed greatly to the problem they wish to resolve.

When it comes with the outcome of developing comfortable and functional posture for your horse, attaching a line is a gift we can offer him. It allows you to guide the horse to correct posture inside the round pen, enabling his inside scapula to rotate upwards and back each stride, which in turn allows his topline to lift and swing.

Sure, there are a small percentage of horses with fine training and balance that are able to work at liberty in a round pen while maintaining correct posture and bend. In these wonderful cases, there may be no need whatsoever to have the horse on a line. But let’s not be overly generous in our self-assessments. Far fewer of us are in this camp than we might wish to accept. A closer look at most round pens reveals the horse’s head turned slightly outside the circle, and to that I say put on a line. Allow your horse to experience his freedom in other ways, but not at the expense of solidifying poor balance.